To reinvigorate, to animate, to reinvigorate, is to make alive or alive. Quicken emphasizes a sudden renewal of life or activity, especially in some inerts. The arrival of spring accelerates the earth by emphasizing the mediation of movement or vitality to what is or could be mechanical or artificial. Happiness has revived his conversation by animating a stimulus that causes boredom or torpedo. Animates his lectures with humorous anecdotes Vivify implies a refreshment or an energy through the renewal of vitality. New blood needed to revive the dying club These two sections have the greatest relevance when considering the profitability of animated content, creating incentives to create work independently. This is because the independent work can be reallocated for a single lump sum or can be licensed under a licensing agreement, for example, an independent animator can license their work to a production company such as Dreamworks or Pixar and receive royalties and compensation for its exploitation if it is used in an animated film. As the animation sector is already legally protected by copyright protection, its exploitation requires a more skilful knowledge of the market. Vaibhav Kumaresh of Vaibhav Studios, who is credited with creating original promos for Toon Disney`s birthday, said in 2006: “The best part of animation in India is untapped unlimited possibilities. To create intellectual property in animation, we should first focus on short-term content such as advertising and promotions. We can put our energy into longer original animation content once we have a solid foundation.  The Latin word anima meaning “breath, soul,” which gave us “animal,” gave us other words.
The English adjective animate meaning “alive” comes from the Latin verb animare, which means “to give life”, which in turn comes from anima. A feature of animals is their ability to move. When a cartoon is drawn and filmed to create a realistic movement, it is animated. An animated film seems to have a life of its own. Over the past decade, the growth and market value of the animation industry in India has increased significantly. This growth needs protection; Legal awareness, as well as knowledge of how IP addresses can be used for maximum profit, may be the protection that leads to the overall structural rise of this industry. It is illegal to possess or disseminate a representation in which “an identifiable minor engages in sexually explicit conduct” (18 U.S.C. Section 2256(8)(C)).
The word “identifiable” implies that you must know that the character depicted was a minor. With the type of incentive that exists with the creator and owner of the work, it is more convenient for the author/owner of the work to ensure possible protection of their intellectual property. The character, script or other compilation of copyrighted content is always open to becoming a basis for commercial exploitation. In this context, the protection of intellectual property, in particular under copyright law, should be at the heart of any animated creation. To put this in perspective, a breakdown of the parts of an animated feature film that can be protected by copyright is written in the table below: Most likely, under California law, you cannot be charged with possession or marketing of cartoon child pornography. Prosecutors may convict you on the basis that you knew you were involved in child pornography (i.e., creation, possession or distribution) and if you knew that the victim was a minor. The history of Indian animation flourished later than the pioneers in this field. It all started in 1956 when Disney Studios animator Clair Weeks, one of the animators working on the animated film Bambi, came to India at the invitation of India`s Film Division to help build and train the very first animation studio as part of a technical collaboration program. This training led to the very first animated film entitled The Banyan Deer (1957). Since then, the Indian animation industry has slowly and steadily evolved with feature film productions such as “Ek Anek Aur Ekta”, an educational film in 1974, and has now become an integral part of the media industry.
The precedent set by this court case suggests that you will not face criminal charges of child pornography in California courts for creating, possessing, or distributing moving or computer-generated images. However, under federal law, you can be charged. In 2003, Congress passed the PROTECT Act, which stands for Prosecutors and Other Tools to End Child Exploitation Today. Under the Protection Act, it is illegal to create, possess or distribute “a visual representation of any kind, including a drawing, caricature, sculpture or painting”, which “depicts a minor who behaves sexually explicitly and is `obscene`, or represents an image that is or appears to be of a minor who engages in sexually explicit behaviour. Sexual intercourse. and it lacks serious literary, artistic, political or scientific value. (18 United States Code § 1466A). For the avoidance of doubt, under federal law, drawing and animation are considered child pornography, and you may be found guilty of possessing or marketing this material. The most important protection for animated works is copyright. Copyright consists of the following facets of an animated work: Middle English, from the Latin animatus, past participle of animar to give life to the soul; Similar to Old English Åthian to breathe, Latin Animus spirit, Greek Anemoswind, Sanskrit aniti it breathes Although there has been growth in the animation industry as a whole, there is still plenty of room for improvement. To remedy this, it is necessary to develop intellectual property in the field of building a character base (characters that can appeal to an international audience), as well as marketing and merchandising.
Not only would these two areas be seriously protected by IP laws, but they would also give creators the opportunity to stand out and take advantage of the profitability of this sector. This means that it is up to the prosecution to prove your conscience. It is therefore possible for your lawyer to formulate a defense that you did not know that the character represented a person under the age of 18. It can be said that copyright is the pivot of the animation industry in terms of intellectual property protection, as well as the source of the commercial use of the work. Works under animation are mainly protected by the Copyright Act of 1957 under the following sections: This article is relevant because it helps to prescribe the flow of all the rights that copyright implies.